COMPOSER
SYMPHONIC AND CHAMBER ORCHESTRA
- Denudation – concerto for piano and orchestra / 2023 [30′]
- Dunes – concerto for accordion solo, percussion and strings / 2020 [20′]
- Veins for orchestra / 2019 [8′]
- Multicolour horizon – symphonic poem in two movements for orchestra / 2015 [18′]
- Ouverture for strings without conductor / 2014 [8′]
- Uran’s Flower for bass guitar and string orchestra / 2012 [8′]
- Red Moon for trumpet and string orchestra / 2009 [7′]
Inspired by phenomenon of landscapes, I am trying to discover my own musical language through penetration and fathoming visual, multilayered sceneries. Connecting music with synesthesia, I want to reach unique connection of sound, its color and time. The best link-symbol to observe the paradox of variability and permanency of landscapes is journey. Earth, physical land, tectonic layers, colors – all of these elements connect with spiritual aspect of steadiness and unpredictability. Improvisation – which is also important for me in context of a musical creation – as musical element and technique, symbolizes in my music a wandering through the internal sound landscapes, merging everything into a single, organic whole.
ACOUSTIC CHAMBER MUSIC
- Timelapse Study II for violin and viola / 2023 [6′]
- Interweaving for wooden flute and piano from period / 2021 [18′]
- Viola Sonata for viola and piano / 2021 [17′]
- Particulae lucis for string quartet / 2020 [20′]
- Purple Sun on Black Canvas, painting – watercolor for piano quintet / 2019 [7′]
- Florescence for violin, cello and piano / 2018 [8′]
- Imploded Agglomeration for amplified ensemble: cello, percussion and piano / 2017 [12′]
- Sun-chants for clarinet and accordion / 2017 [6′]
- Through for clarinet with percussion (crotales, metal chimes), violin, piano / 2016 [13′]
- Fatal Mirrors for harpsichord and percussion / 2016 [5′]
- Interrupted dream for flute, clarinet and vibraphone / 2015 [7′]
- Notturno for violin and accordion / 2015 [6′]
- Believe in Angel for string quartet – music written for ballet duo choreography / 2015
- Sketches for 2 clarinets / 2015
- Geometry of Night for saxophone and piano / 2014 [8′]
- Piano Trio for violin, cello and piano / 2014 [17′]
- Doppelgänger for clarinet and accordion / 2014 [9′]
- Visionary landscape for two accordions and organ / 2014
- Fallout dance for saxophone, electric guitar, percussion and piano / 2014
- Distant Dream for organ and tenor saxophone / 2013 [12′]
- String Quartet / 2013 [15′]
- 2 Melodies for violin and piano / 2013
- Sonata for violin and piano / 2012 [17′]
- Meeting in the Dark Chamber for bass guitar and harpsichord / 2012
- Luminous Bridge for flute, clarinet, cello and piano / 2012
- Whispers of Nervelles Sunfor septet: 2 flutes, tenor saxophone, hammond’s organ, percussion, bass guitar, accordion / 2012
- Io for cello and piano / 2011
- Demons’ Forestfor accordion and cello / 2011
- Invisible Mountain for violin, clarinet and piano / 2011
- Night Music / 2010
- Trip to The Source of Night for piano trio / 2008
VOCAL / VOCAL-INSTRUMENTAL
- 4 Songs to words by Peter Gizzi for tenor and fixed electronics / 2024 [15′]
- 2 Songs to words by ariel rosé for soprano, flute and piano / 2023 [12′]
- 4 Songs cycle to words by Kazimiera Iłłakowiczówna for soprano and piano / 2022 [15′]
- Vocalise, tribute to Witkacy’s landscapes for soprano, violin and piano / 2022 [13′]
- Out of the light of the two suns a phantasmagorical city appears for vocal sextet and electronics / 2021 [14′]
- Uśnijże mi, uśnij for soprano, percussion, piano and electronics / 2021 [8′]
- 2 Shakespeare Sonnets for soprano and piano
- “Death” – song to words written by Julian Tuwim for bass voice and organ;
- Lullaby to words of Maciej Papierski for mixed choir a capella;
- Psalm 16 for two choirs a cappella
ELECTRONIC & ELECTROACOUSTIC
- 4 Songs to words by Peter Gizzi / 2024 [15′]
- Celestial delusion for piano trio or piano solo and electronics / 2019/20 [33′]
- Out of the light of the two suns a phantasmagorical city appears for vocal sextet and audio playback / 2021 [14′]
- Uśnijże mi, uśnij for soprano, percussion, piano and audio playback to words by Michał Zdunik / 2021 [8′]
- Timelapse study for two violins and audio playback / 2021 [5′]
- Galilean Moons for saxophone quartet and audio playback / 2018 [10′]
- Fading towards the Sun for piano, electronic instruments and computer / 2016 [9′]
- Shipyard chant (2014) for bass clarinet and audio playback / 2014 [4′]
SOLO
- Silent rain – for accordion solo / 2024 [6′]
- There are forgotten bells above the crawling cloud – for piano solo / 2020 [7′]
- White Sphere, Navy-blue background for detuned viola solo / 2019 [6′]
- Sonata for accordion solo / 2017 [15′]
- Intermezzo for organ solo / 2015 [7′]
- ~Intro for baritone saxophone / 2015 [3′]
- Will-o’-the-whisp for accordion solo /2014
- Hymn for solo piano / 2013 [7′]
- Prelude for solo piano / 2013 [3′]
- Meltemi for multipercussion / 2013
- Reminiscence for cello solo / 2013
- Nocturnes for piano solo / 2012
- Sonata for piano solo / 2010
OPEN FORM & GRAPHIC SCORES
- Florescence 02 – abstract graphic score
- Blueprint #1 for improvising orchestra;
- Blueprint #2 for improvising flute, english horn and electronics (commissioned by Etymos Ensemble);
- Blueprint #3 for organ solo (commissioned by Organ Conversatory in Legnica);
- Blueprint #4 for piano and feedback (collective composition w/ Jurek Przeździecki);
- Blueprint #5 (collective open work: Rydzewska/Karałow) for clarinet and prepared piano (12′)