COMPOSER
As far as my music is concerned, the themes of space and landscape can be found already in my early compositions. I can easily recall specific references to places or landscapes that served as the main inspiration for a given work. These inspirations are born directly from the observation of nature, its forms and organisms and from constantly changing atmospheric phenomena. In each composition, I try to develop various sonic worlds; I directly refer the decisions regarding the shaping of forms and structures to the broadly understood space and visual contexts. To me, however, it is important for my music not to be associated with illustration: the inspirations I write about, despite their apparent directness, are only a starting point, a capture of a given moment, detail, shape or multiple layers, for example, of a mountain range or cliffs growing out of the sea. Abstraction, imaginary worlds, the aspect of outer space or of a space existing only on canvas are also important contexts shaping the contents of my compositions. The choice of the right colour palette for both the musical composition and the visual work is equally important to me.
SYMPHONIC AND CHAMBER ORCHESTRA
- Denudation – concerto for piano and orchestra / 2023 [30′]
- Dunes – concerto for accordion solo, percussion and strings / 2020 [20′]
- Veins for orchestra / 2019 [8′]
- Multicolour horizon – symphonic poem in two movements for orchestra / 2015 [18′]
- Ouverture for strings without conductor / 2014 [8′]
- Uran’s Flower for bass guitar and string orchestra / 2012 [8′]
- Red Moon for trumpet and string orchestra / 2009 [7′]
ACOUSTIC CHAMBER MUSIC
- air for violin and piano / 2025 [8′]
- some whispers of mists and water above, hidden in the rocks – for clarinet, violin, cello and piano / 2024 [10′]
- Timelapse Study II for violin and viola / 2023 [6′]
- Interweaving for wooden flute and piano from period / 2021 [18′]
- Viola Sonata for viola and piano / 2021 [17′]
- Particulae lucis for string quartet / 2020 [20′]
- Purple Sun on Black Canvas, painting – watercolor for piano quintet / 2019 [7′]
- Florescence for violin, cello and piano / 2018 [8′]
- Imploded Agglomeration for amplified ensemble: cello, percussion and piano / 2017 [12′]
- Sun-chants for clarinet and accordion / 2017 [6′]
- Through for clarinet with percussion (crotales, metal chimes), violin, piano / 2016 [13′]
- Fatal Mirrors for harpsichord and percussion / 2016 [5′]
- Interrupted dream for flute, clarinet and vibraphone / 2015 [7′]
- Notturno for violin and accordion / 2015 [6′]
- Believe in Angel for string quartet – music written for ballet duo choreography / 2015
- Sketches for 2 clarinets / 2015
- Geometry of Night for saxophone and piano / 2014 [8′]
- Piano Trio for violin, cello and piano / 2014 [17′]
- Doppelgänger for clarinet and accordion / 2014 [9′]
- Visionary landscape for two accordions and organ / 2014
- Fallout dance for saxophone, electric guitar, percussion and piano / 2014
- Distant Dream for organ and tenor saxophone / 2013 [12′]
- String Quartet / 2013 [15′]
- 2 Melodies for violin and piano / 2013
- Sonata for violin and piano / 2012 [17′]
- Meeting in the Dark Chamber for bass guitar and harpsichord / 2012
- Luminous Bridge for flute, clarinet, cello and piano / 2012
- Whispers of Nervelles Sunfor septet: 2 flutes, tenor saxophone, hammond’s organ, percussion, bass guitar, accordion / 2012
- Io for cello and piano / 2011
- Demons’ Forestfor accordion and cello / 2011
- Invisible Mountain for violin, clarinet and piano / 2011
- Night Music / 2010
- Trip to The Source of Night for piano trio / 2008
VOCAL / VOCAL-INSTRUMENTAL
- Luminous Gardens for vocal ensemble (16 voices), flute, viola, cello. vibraphone and fixed electronics / 2024 [20′]
- 4 Songs to words by Peter Gizzi for tenor and fixed electronics / 2024 [15′]
- 2 Songs to words by ariel rosé for soprano, flute and piano / 2023 [12′]
- 4 Songs cycle to words by Kazimiera Iłłakowiczówna for soprano and piano / 2022 [15′]
- Vocalise, tribute to Witkacy’s landscapes for soprano, violin and piano / 2022 [13′]
- Out of the light of the two suns a phantasmagorical city appears for vocal sextet and electronics / 2021 [14′]
- Uśnijże mi, uśnij for soprano, percussion, piano and electronics / 2021 [8′]
- 2 Shakespeare Sonnets for soprano and piano
- “Death” – song to words written by Julian Tuwim for bass voice and organ;
- Lullaby to words of Maciej Papierski for mixed choir a capella;
- Psalm 16 for two choirs a cappella
ELECTRONIC & ELECTROACOUSTIC
- Beyond stillness, murmuring voices for harpsichord and fixed electronics / 2025 [10′]
- Luminous Gardens for vocal ensemble (16 voices), flute, viola, cello. vibraphone and fixed electronics / 2024 [20′]
- 4 Songs to words by Peter Gizzi / 2024 [15′]
- Celestial delusion for piano trio or piano solo and electronics / 2019/20 [33′]
- Out of the light of the two suns a phantasmagorical city appears for vocal sextet and audio playback / 2021 [14′]
- Uśnijże mi, uśnij for soprano, percussion, piano and audio playback to words by Michał Zdunik / 2021 [8′]
- Timelapse study for two violins and audio playback / 2021 [5′]
- Galilean Moons for saxophone quartet and audio playback / 2018 [10′]
- Fading towards the Sun for piano, electronic instruments and computer / 2016 [9′]
- Shipyard chant (2014) for bass clarinet and audio playback / 2014 [4′]
SOLO
- Light and waves – fantasia for piano solo / 2025 [10′]
- Silent rain – for accordion solo / 2024 [7′]
- There are forgotten bells above the crawling cloud – for piano solo / 2020 [7′]
- White Sphere, Navy-blue background for detuned viola solo / 2019 [6′]
- Sonata for accordion solo / 2017 [15′]
- Intermezzo for organ solo / 2015 [7′]
- ~Intro for baritone saxophone / 2015 [3′]
- Will-o’-the-whisp for accordion solo /2014
- Hymn for solo piano / 2013 [7′]
- Prelude for solo piano / 2013 [3′]
- Meltemi for multipercussion / 2013
- Reminiscence for cello solo / 2013
- Nocturnes for piano solo / 2012
- Sonata for piano solo / 2010
OPEN FORM & GRAPHIC SCORES
- River Study – abstract graphic score
- Florescence 02 – abstract graphic score
- Blueprint #1 for improvising orchestra;
- Blueprint #2 for improvising flute, english horn and electronics (commissioned by Etymos Ensemble);
- Blueprint #3 for organ solo (commissioned by Organ Conversatory in Legnica);
- Blueprint #4 for piano and feedback (collective composition w/ Jurek Przeździecki);
- Blueprint #5 (collective open work: Rydzewska/Karałow) for clarinet and prepared piano (12′)
