{"id":899,"date":"2023-02-26T11:47:17","date_gmt":"2023-02-26T10:47:17","guid":{"rendered":"http:\/\/sweet3.home.pl\/autoinstalator\/nowa\/?page_id=899"},"modified":"2023-03-01T14:46:06","modified_gmt":"2023-03-01T13:46:06","slug":"kepler","status":"publish","type":"page","link":"https:\/\/andrzejkaralow.pl\/index.php\/kepler\/","title":{"rendered":"KEPLER"},"content":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row_content&#8221; parallax=&#8221;content-moving&#8221; css=&#8221;.vc_custom_1677408210065{margin-right: 18px !important;margin-left: 18px !important;background-image: url(http:\/\/sweet3.home.pl\/autoinstalator\/nowa\/wp-content\/uploads\/2023\/02\/Kepler3-scaled.jpg?id=830) !important;background-position: 0 0;background-repeat: no-repeat !important;}&#8221;][vc_column][vc_empty_space height=&#8221;232px&#8221;][vc_custom_heading text=&#8221;KEPLER \u2013 chamber opera&#8221; font_container=&#8221;tag:h3|font_size:55|text_align:center|color:%23f7f7f7&#8243; google_fonts=&#8221;font_family:Montserrat%3Aregular%2C700|font_style:400%20regular%3A400%3Anormal&#8221;][vc_empty_space height=&#8221;232px&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1677588508251{padding-right: 5% !important;padding-left: 5% !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<ul>\n<li>libretto: Maciej Papierski<\/li>\n<li>year: 2014<b><\/b><\/li>\n<li>lenght: 30\u2032<\/li>\n<li>instrumentation: voices: soprano and baritone + ensemble: flute, clarinet\/bass clarinet, oboe, bassoon, horn, trumpet, 2 percussions, hammond organ, strings<\/li>\n<li><span lang=\"EN-US\">premiere:\u00a0<\/span>4.04.2014 \u2013 Fryderyk Chopin University of Music in Warsaw;\n<ul>\n<li>05.2019 \u2013 Fryderyk Chopin University of Music in Warsaw;\u00a0Chopin University Modern Ensemble, Ignacy Zalewski \u2013 conductor, Maria W\u0105do\u0142owska \u2013 soprano, Micha\u0142 Przygo\u0144ski \u2013 baritone;<\/li>\n<li>04.2014 \u2013 Fryderyk Chopin University of Music in Warsaw;\u00a0Ensemblage group of instrumentalists, Marcin Piotr \u0141opacki \u2013 conductor, Aleksandra Klimczak \u2013 soprano, Dawid Dubec \u2013 baritone;<\/li>\n<li>06.2014 \u2013 National Theatre in Miskolc (Hungary);\u00a0Covacs Csilla \u2013 soprano, Antoni Norbert \u2013 baritone, Tunde Turanyi \u2013 piano;<\/li>\n<li>06.2014 \u2013 National Theatre in Miskolc;\u00a0Miskolc Symphony Orchestra, Tamas Tsurgo \u2013 conductor, Covacs Csilla \u2013 soprano, Antoni Norbert \u2013 baritone,<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1677588540027{padding-right: 5% !important;padding-left: 5% !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/OYfwio4-f2M&#8221; el_width=&#8221;90&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/OulQnSHDpWY&#8221; el_width=&#8221;90&#8243;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1677588517746{padding-right: 5% !important;padding-left: 5% !important;background-image: url(http:\/\/sweet3.home.pl\/autoinstalator\/nowa\/wp-content\/uploads\/2023\/02\/Zdjecie-20.12.2018-23-20-07-scaled.jpg?id=828) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">written to libretto by Maciej Papierski.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\">Lingering in its dreamy overtones, the &#8220;Kepler&#8221; Opera, is a metaphorical tale of the illusive nature of utopian intentions \u2013\u00a0a tale of the escape from the burden of memory and the desire for new beginnings. Drawing vastly from the impressionist genre, this game of lights and colours, takes on the form of fleeting, musical vision. The storyline is based on the biblical description of the paradise serenity of the first people, and as such it is meant to reflect on our dormant desires to form the world according to our own plans, and our responsibility against nature and the past.<\/p>\n<p style=\"text-align: justify;\">Scene 1<br \/>\nAdam and Eve land on Kepler. Miring at the mysterious beauty of the planet, they reminisce over the Earth in its demise \u2013 the Earth from which they have fled. Their old world has perished, and the new one seems to be a reward. They gaze enthusiastically at the mystical extraordinariness of nature, comparing it with the hardships of earthly life. Kepler seems to be a paradise, governed by the laws of a dream, and where the man is free from any worries. The protagonists wish to shape their new reality according to their own imagination, which is buzzing with creative hopes, leaving their earthly identity completely behind.<\/p>\n<p style=\"text-align: justify;\">Scene 2<br \/>\nLooking for a place to rest, they come across a mysterious cave. The spirit of this place inspires Eve to reminisce over the past; suddenly, all the surroundings seem to be speaking of what they have left on Earth. The shadows on the walls and the brook flowing through the cave grow murky with disturbing visions. Eve begins to understand that even the most beautiful of all lands cannot offer up shelter from one mighty power \u2013 the power of memory. Adam is trying to console and appease her, speaking to her of the prospects of happiness and joy derived from the shaping of the world they would both pursue.. However, Eve can see with increasing clarity that she will never be happy in this open, empty land \u2013 and more importantly, that she will never be free from what has already happened. Yearning for the past and sorrow overpower her.<\/p>\n<p style=\"text-align: justify;\">Scene 3<br \/>\nThis scene constitutes a deconstruction of the constructed image, while providing a summary of the message that the opera<br \/>\nhopes to convey. Dark clouds gather above Adam and Eve. The ensuing rain causes a breakdown of this ephemeral world, which turns out to be but a dream and a utopian desire. It is a metaphorical confrontation with the man\u2019s lack of self-sufficiency, as well as with the illusory nature of certain aspirations, but, perhaps above all, with the necessity of taking care of this one and only, real world, which is given to us. Awoken from the deceptive reality of their dream, Adam and Eve enter the state of waking, with which they ultimately reconcile themselves.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row_content&#8221; parallax=&#8221;content-moving&#8221; css=&#8221;.vc_custom_1677408210065{margin-right: 18px !important;margin-left: 18px !important;background-image: url(http:\/\/sweet3.home.pl\/autoinstalator\/nowa\/wp-content\/uploads\/2023\/02\/Kepler3-scaled.jpg?id=830) !important;background-position: 0 0;background-repeat: no-repeat !important;}&#8221;][vc_column][vc_empty_space height=&#8221;232px&#8221;][vc_custom_heading text=&#8221;KEPLER \u2013 chamber opera&#8221; font_container=&#8221;tag:h3|font_size:55|text_align:center|color:%23f7f7f7&#8243; google_fonts=&#8221;font_family:Montserrat%3Aregular%2C700|font_style:400%20regular%3A400%3Anormal&#8221;][vc_empty_space height=&#8221;232px&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1677588508251{padding-right: 5% !important;padding-left: 5% !important;}&#8221;][vc_column][vc_column_text] libretto: Maciej Papierski year: 2014 lenght: 30\u2032 instrumentation: voices: soprano and baritone + ensemble: flute, clarinet\/bass clarinet, oboe, bassoon, horn, trumpet, 2 percussions, hammond organ, strings premiere:\u00a04.04.2014 \u2013 &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/andrzejkaralow.pl\/index.php\/kepler\/\" class=\"more-link\">Read more<span class=\"screen-reader-text\"> &#8220;KEPLER&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width-no-title.php","meta":{"footnotes":""},"class_list":["post-899","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/andrzejkaralow.pl\/index.php\/wp-json\/wp\/v2\/pages\/899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/andrzejkaralow.pl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/andrzejkaralow.pl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/andrzejkaralow.pl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/andrzejkaralow.pl\/index.php\/wp-json\/wp\/v2\/comments?post=899"}],"version-history":[{"count":9,"href":"https:\/\/andrzejkaralow.pl\/index.php\/wp-json\/wp\/v2\/pages\/899\/revisions"}],"predecessor-version":[{"id":1210,"href":"https:\/\/andrzejkaralow.pl\/index.php\/wp-json\/wp\/v2\/pages\/899\/revisions\/1210"}],"wp:attachment":[{"href":"https:\/\/andrzejkaralow.pl\/index.php\/wp-json\/wp\/v2\/media?parent=899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}